๐Ÿ— The Design Path - Issue 5


Issue 5 - November 2025

Sharing the inspiration and insights along my surface design journey

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On the Path

Home Sweet Home

Field Notes

File Organisation - Saving Digital Files & Using a Digital Workspace

Podcast - 'Wake Me Up' - Morning Positivity

Book - 'The Practice' by Seth Godin

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Inspiration

Artist - Kate Cooke

Studio Notes

Working on the Road

Final Thoughts

Finding Your Practice

Home Sweet Home

We had a blast during our holiday. Eight weeks is a long time. There was so much to see and do that keeping up with a regular work schedule was harder than I thought. I had assumed that ideas would just flow when I was ready to work. But, was I wrong.

I learned that when I'm home, the rhythm of daily life actually helps me create. I weave my work in between all the usual chores. When inspiration strikes, I drop everything and dive into designing. When it doesn't, I busy myself with other things.

While we were away the opposite was true. When I was lucky enough to have free time I expected the ideas would automatically come. Not true. It took me a while to realise I had to flip my approach - instead of waiting for the ideas to arrive before I started to work, I had to start the work and actively go looking for it. I just had to start.

To make sure I wouldn't feel overwhelmed with a blank page every day, I came up with a way that would help me just start.

As part of Barbel's Repertoire course, we learned about rosettes. I became a little obsessed actually, but it helped me find a solution to my problem. I pre-drew some rosette templates and they gave me a starting point each day. So when I had time to design, I began by creating a rosette. It was like a little warm-up exercise and it proved to be ideal. At least if nothing else productive came out of my time, I had completed a rosette. It totally changed the way I worked. When I get back into the swing of things now I'm home, I will have to get into the habit of regularly using this trick!

Saving Digital Files

One of the most important things I do to stay sane, save time, work more efficiently and avoid overwhelm is to keep myself as organised as possible. The need to develop a consistent system when saving my work became apparent when I realised I was spending more time searching through old files than actually creating new ones.

I thought I'd share my process for saving my files in the hope it will inspire you to create your own simple, organised system, if you don't already have one. But if you do, I'd love to know your process. I'm always eager to improve mine.

Saving Files to the Cloud

I see Creative Cloud as my working document space, a place to play and have fun. I start all my Illustrator files on the iPad so they automatically save to Creative Cloud. Sometimes I create several versions of a design and each of them will appear there. I know that anything saved in Creative Cloud I can edit or change. This gives me the freedom to pick something up months or years later knowing I'm not going to accidentally mess around with a file that's finalised.

Saving Files to my Computer

Once a design is finalised, I give it a title and save it to a folder on my computer called โ€˜AI Files.โ€™ These are my master files โ€” the originals I donโ€™t touch. This provides me with a safety net, so I know I won't accidentally lose or edit a design. These files should be regularly backed up on to a separate hard drive. That's something I can definitely improve on!

Saving Different Versions

Because there are so many different ways to export artwork, I stay organised by saving each file in the right format. I have a main folder on my computer called โ€˜My Designsโ€™, which holds three subfolders โ€” JPEG, PDF, and PNG โ€” so I always know exactly where to find each version. If I'm saving a design at a particular resolution or as RGB or CMYK I note this in the file name. For example - 'Jemima 150dpi RGB'. This small bit of organisation has made such a difference to my workflow. When I want to print something, create a mockup, or share a design online, I can find the right file straight away โ€” and that saves me a lot of time and unnecessary stress.

Using a Digital Workspace

As I saved more and more designs I realised I needed a way to efficiently search through the hundreds of files I'd created. And that's when I discovered online digital workspaces. They are designed to help keep all the moving parts of your business organised โ€” not just keeping track of artwork. They help you organise and work on anything you may need such as client lists, project timelines, and marketing plans. I have been using one for about 12 months and it's really helped me to streamline all things surface design.

Airtable

I've been using the free version of Airtable for the past 12 months. It combines the structure of a spreadsheet with the flexibility of a database. I built a searchable list of my finished designs, including any versions I created. I decided what information I wanted to include such as an SKU, the main colour and theme. I could also show if the design was included in a collection or if it was a stand alone design. Here's a couple of screenshots of my design spreadsheet in grid view and as a gallery.

The more I used Airtable, the more I realised how useful a digital workspace could be for me. I then created a new spreadsheet where I collated all my pitching information. That's been exceptionally useful!

I learned about Airtable through Skillshare. There are many classes available, but there were two in particular that I found helpful and they were designed specifically for surface designers. They really helped me figure out how to use the program, how to set it up to suit my personal workflow, and how to determine what information I wanted to include in my spreadsheets before I even opened the program. I highly recommend these classes:

Shannon McNab's class showed me how many ways she used Airtable to run her surface design business. That really opened my eyes! But as I've been reviewing my workflow, as I do at the end of every year, I found myself wondering how other creatives organise their work. What else was available? So when I saw Mel Armstrong's Skillshare classes on using Notion I had to give it a try.

Notion

Again, the program is free. I have found it to be more 'pretty' than Airtable, especially when you view your account on your phone, which can be handy when you want to show your work to someone in person. But with my basic knowledge of all things tech, I have found they generally do the same thing.

Once I'd started using Airtable regularly, I could see how helpful linking information from one database to another could be. And as Mel explains how to do this in her class, I gave it a go in Notion and I love it! I've only had a few hours playing in Notion, and I've only uploaded 1 collection of 10 designs just to see how everything links together, but I'm really impressed with how it all works. It seems to be a bit more flexible as far as how you can present your information, and I really like that it's based around pages. You simply add 'blocks' to a page such as text, a button, a table or an image. Here are a couple of screenshots of the pages I've created in my Notion account:

There are lots of other digital workspaces for you to investigate. You can go down a rabbit hole here if you wanted to. Spending time learning as much as you can to determine what you want the program to do will pay off in the long term. Finding the one that fits your requirements and is easy for you to use are key. Here are some other platforms that may be worth investigating - just keep in mind some programs seem to be better suited for individuals, and some are better for groups of people:

  • ClickUp
  • Coda
  • Zenkit
  • SmartSuite
  • Slack

After using Airtable for 12 months, I will definitely continue using a digital workspace, not just to keep track of my finished designs and for pitching, but also for more of the business-related things such as keeping track of licenses (hopefully), inventory, registration due dates, memberships and expenses. Lots of possibilities. I'm probably going to keep experimenting with Notion before I make the decision to transfer over from Airtable. If you've not used one, I hope you will look in to them and see how they can help you.

Next issue, I will be looking at other ways I am getting organised for 2026.

Podcast - Wake Me Up - Morning Positivity

As part of my 'Miracle Morning' routine (discussed in Issue 1) I have discovered the most wonderful podcast that helps me start my day. It's a combination of guided meditations, affirmations and discussions on all things mindset. Some episodes are less than 10 minutes and some are an hour giving me the flexibility to choose an episode that suits the time I have available. Listen to episode 'Positive Affirmations for Creativity & Inspiration' posted on April 9th to help when you're feeling less than creative, or episode 'Choose Excellence' from July 30th to help you change your mindset with everything you do. I've listened to that episode many times as I find it really helps me set my intention for the day. Like me, this podcast might be just what you need to start your day well.

The Practice by Seth Godin

Since discovering Seth Godin, and in particular reading this book, I can honestly say his insights and knowledge have changed the way I think about creativity and my designing. I am definitely aware that I have a long way to go until I can honestly say I am a legit business that is generating a positive income ๐Ÿ˜Šand I also understand that a mindset shift is an essential part of that journey. And this is where reading books like this play a crucial role in me reaching my goals.

'The Practice' the kind of book you can pick up and read in little bursts. Much of its content discusses things I've known all along but it's written so succinctly that it creates that 'of course' reaction. Reading it feels like having a wise friend point out whatโ€™s been right in front of you all along โ€” and suddenly, it makes sense.

Kate Cooke

I first discovered Kate Cooke when she was a presenter on Sketchbook Revival 2024. I found her again on Skillshare when I was revisiting gouache about six months ago. Her classes were fantastic fun and full of inspiration.

Kate is an illustrator and surface designer based on the south coast of the U.K. Her work begins with hand-painted gouache and acrylic before being made into vibrant patterns and motifs for licensing. Her designs have a joyful, handcrafted quality โ€” full of bold shapes and vibrant colours. I particularly fell in love with her use of expressive linework and pattern in her motifs. Kateโ€™s portfolio is a wonderful reference for how traditional painting techniques can translate into fresh, contemporary surface patterns that still feel warm and tactile. If you'd like to see more of her work have a look at her on Instagram or Skillshare.

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Working on the Road

One of the perks of surface design is what Bonnie Christine calls location freedom. And she was right. I was able to do most things while we were away, especially once we'd bought our EcoFlow power station I've named Humphrey. That really was a game changer. Being able to use the desktop version of Illustrator on my laptop was just wonderful. I was able to continue drawing, creating motifs on the iPad and then finishing off a design on my laptop. Perfect.

I came home with a few completely finished designs, a couple of watercolour paintings and a big stack of new photos, drawings, sketches and doodles that will be used in the future.

One thing I did miss work-wise was being able to enlarge my photos or drawings using a photocopier. I had an A4 lightbox and tracing paper with me but if I want to work from photos taken on my phone, the lightbox doesn't help. I got around this by learning how to trace using my iPad. It's called Guided Access.

Enabling Guided Access

I've got an older iPad so newer ones might be a little different.

  1. Open the Settings app
  2. Open Accessibility on the left.
  3. Choose Guided Access found on the right down the bottom under General.
  4. Turn on Guided Access and Accessibility Shortcut. Click on Display Auto-Lock and select Never. This tells your screen to stay on while Guided Access is engaged.
  5. Set a passcode if you haven't before, and write it down!
  6. Bring up the image youโ€™ll be tracing and adjust the size. Activate Guided Access by clicking the Home button three times quickly.
  7. After activating Guided Access, part of your whole screen will turn grey. Adjust this grey area to cover the image you want to trace. Click Start or Resume in the top right corner to begin. Your screen will now lock, allowing you to draw over your image.
  8. Once you've finished tracing, triple click the Home button quickly again to disengage Guided Access.
  9. Enter your Passcode.
  10. Click End in the top left corner.

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Finding Your Practice

What I've learned most from reading 'The Practice' is the importance of showing up, even when we don't feel like it, or you're out of your normal routine. Having my design work to look forward to every day, no matter where I am, gives structure to my day. Every day I show up. Every day is a new beginning. We can all pivot whenever we want. And that's gold.

Until next time,

Maitland, New South Wales, Australia
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Green Acre Designs

Hello! I'm a surface designer from the Hunter Valley in Australia who loves creating intricate, flowing designs.ย  I am a big fan of the work and philosophies of William Morris and the Arts and Crafts movement. I'm a designer for Phoebe Fabrics. Welcome!

Read more from Green Acre Designs
My first fabric collection is released!

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